CHILDREN’S CINEMA IN UKRAINE FORMS ONE OF THE RETROSPECTIVES

PREVIEW

OPENING NIGHT FEATURES THE WORLD PREMIERE OF THE NEW RESTORATION OF AUGUSTO GENINA’S MAGNIFICENTLY COLORED CYRANO DE BERGERAC, WITH AN ORCHESTRAL SCORE BY KURT KUENNE

CLOSING NIGHT SEES BUSTER KEATON’S OUR HOSPITALITY WITH A SCORE FOR CHAMBER ORCHESTRA BY ANDREJ GORIČAR

THE LARGEST OF THE RETROSPECTIVES IS DEDICATED TO THE CHAPLIN PHENOMENON AND “CHAPLIN MANIA”

At the Teatro Verdi of Pordenone from 4 to 11 October

Pre-opening on 3 October in Sacile, and a repetition of the final night on 12 October

L’EVENTO DI CHIUSURA THE WINNING OF BARBARA WORTH CON LA PARTITURA DI NEIL BRAND È IL MIGLIORE ACCOMPAGNAMENTO ORCHESTRALE

SU SILENT LONDON I RISULTATI DELL’ANNUALE SONDAGGIO CHE PREMIA LE GIORNATE ANCHE IN ALTRE CATEGORIE

A partire dalla notte del 2 febbraio lo storico programma di RAI 3 dedica al festival quattro puntate a cura di Paolo Luciani.

Oltre 40 anni di Giornate del Cinema Muto raccontati attraverso programmi, servizi, documentari e interviste dagli anni ’80 ad oggi. L’intervista al direttore Jay Weissberg sul presente del festival e sulle prospettive future.

At the Fondation Jérôme Seydoux-Pathé from November 6th-26th:
“Le Giornate del Cinema Muto, sélection du festival de Pordenone 2024”

UN FESTIVAL SEMPRE PIU INTERNAZIONALE PER PRESENZE E PROPOSTE

GARY COOPER IN ONE OF HIS FIRST BIG ROLES IN HENRY KING’S THE WINNING OF BARBARA WORTH

BEFORE ARSÈNE LUPIN AND SIMON TEMPLAR, THE FIGURE OF THE GENTLEMAN THIEF DEBUTS IN 1928 FILM FORGOTTEN FACES

SICILY: A LAND OF SUN AND PASSION IN L’APPEL DU SANG

PAVEMENT BUTTERFLY STARRING THE CAPTIVATING ANNA MAY WONG:
THE CHINESE-AMERICAN ACTRESS WHO ENAMOURED EUROPEAN AUDIENCES

GREAT CLASSICS FOR THE CANON REVISITED INCLUDE ROBERT WIENE’S EXPRESSIONIST MASTERPIECE BASED ON CRIME AND PUNISHMENT

THE DOCUMENTARIES OF CLAUDE AND DINA LÉVI-STRAUSS IN MATO GROSSO