{"id":8440,"date":"2017-07-07T20:04:48","date_gmt":"2017-07-07T18:04:48","guid":{"rendered":"http:\/\/www.giornatedelcinemamuto.it\/?page_id=8440"},"modified":"2026-09-24T11:27:26","modified_gmt":"2026-09-24T09:27:26","slug":"pordenone-masterclasses","status":"publish","type":"page","link":"https:\/\/www.giornatedelcinemamuto.it\/pordenone-masterclasses\/","title":{"rendered":"PORDENONE MASTERCLASSES"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” equal_height=”yes” css=”.vc_custom_1590699175156{margin-top: -45px !important;background-color: #ffffff !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1590699022408{background-image: url(https:\/\/www.giornatedelcinemamuto.it\/wp-content\/uploads\/2020\/05\/masterclass-b.jpg?id=18852) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” offset=”vc_col-lg-6 vc_col-md-6 vc_col-xs-12″]

<\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1499443266669{padding-right: 10% !important;padding-left: 10% !important;background-color: #2c2f34 !important;}”][vc_column_text]Le Masterclasses per l\u2019accompagnamento dei film muti hanno acquisito una reputazione internazionale per il contributo davvero unico dato a un campo musicale molto specialistico e gi\u00e0 ci sono dei progetti per sviluppare l\u2019idea in altri centri. Le lezioni sono aperte agli ospiti del festival, per cui costituiscono uno dei pezzi forti del programma. In particolare aprono nuovi orizzonti all\u2019interpretazione filmica. Un musicista di cinema esige e sviluppa una capacit\u00e0 di penetrare il contenuto, la psicologia, la struttura di un film molto pi\u00f9 acuta degli altri, ed \u00e8 questo che i nostri pianisti cercano di trasmettere nel corso delle lezioni, risultando illuminanti anche per gli studiosi pi\u00f9 sofisticati.
\nIl primo obiettivo delle Masterclasses \u00e8 quello di raffinare e sviluppare la tecnica dei giovani artisti che vogliono cimentarsi con il cinema muto e per questo siamo alla costante ricerca di candidati idonei.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1590699169768{margin-bottom: -45px !important;}”][vc_column width=”1\/2″][vc_column_text css_animation=”none” css=”.vc_custom_1790242043002{padding-top: 2% !important;padding-right: 5% !important;padding-left: 5% !important;}”]2026: Lulu Chen<\/span><\/a> & Tyler Stoner
\n2025: Ludovico Bellucci & Ashley Valentine<\/span><\/a>
\n2024: Andra Bacila & Gabriele Rigo
\n2023: Andrea Goretti<\/span><\/a> & Timothy Rumsey<\/span><\/a>
\n2022: Dominic Irving<\/span><\/a> & Camille Phelep<\/span><\/a>
\n2021: Alice Zecchinelli<\/span><\/a>
\n2019: Ilya Poletaev<\/a>, Lorena Ruiz Trejo & Viktoras Orestas Vagusevicius
\n2018:\u00a0Nicholas Sosin
\n2017:\u00a0Bryson Kemp<\/a> &\u00a0Richard Siedhoff<\/a>
\n2016:\u00a0John Best<\/a>\u00a0&\u00a0Meg Morley<\/a>
\n2015: Ilyess Bentayeb &\u00a0Koenraad Spijk
\n2014:\u00a0David Gray\u00a0&\u00a0Daan van den Hurk<\/a>
\n2013:\u00a0Lillian Henley<\/a>\u00a0&\u00a0Anne Martje Lemereis<\/a>
\n2012:\u00a0Philip Brandford\u00a0&\u00a0Bruno Rattini<\/a>
\n2011:\u00a0Andreas Benz\u00a0&\u00a0Nicole Thomas Zyczynski
\n2010: Elaine Loebenstein<\/a>, Judith Rosenberg<\/a>\u00a0&\u00a0Yvo Verschoor<\/a>
\n2009:\u00a0Cyrus Gabrysch\u00a0&\u00a0Mie Yamashita
\n2008:\u00a0Touve R. Ratovondrahety<\/a> &\u00a0Andrew Simpson<\/a>
\n2007:\u00a0Makia Matsumura<\/a>\u00a0&\u00a0Roman Zavada<\/a>
\n2006:\u00a0Ian Lawrence Mistrorigo
\n<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1590699129373{background-image: url(https:\/\/www.giornatedelcinemamuto.it\/wp-content\/uploads\/2020\/05\/masterclass-a.jpg?id=18851) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]
<\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” equal_height=”yes” css=”.vc_custom_1590699175156{margin-top: -45px !important;background-color: #ffffff !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1590699022408{background-image: url(https:\/\/www.giornatedelcinemamuto.it\/wp-content\/uploads\/2020\/05\/masterclass-b.jpg?id=18852) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” offset=”vc_col-lg-6 vc_col-md-6 vc_col-xs-12″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1499443266669{padding-right: 10% !important;padding-left: 10% !important;background-color: #2c2f34 !important;}”][vc_column_text]Le Masterclasses per l\u2019accompagnamento dei film muti hanno acquisito una reputazione internazionale per il contributo davvero unico dato a un campo musicale molto specialistico e gi\u00e0 […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8440","page","type-page","status-publish","hentry"],"yoast_head":"\nLe Giornate del Cinema Muto | Premio Jean Mitry<\/title>\n<meta name=\"description\" content=\"Le Giornate del Cinema Muto | Premio Jean Mitry\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.giornatedelcinemamuto.it\/pordenone-masterclasses\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Giornate del Cinema Muto | Premio Jean Mitry\" \/>\n<meta property=\"og:description\" content=\"Le Giornate del Cinema Muto | Premio Jean Mitry\" \/>\n<meta property=\"og:url\" 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