{"id":7339,"date":"2016-12-04T11:12:11","date_gmt":"2016-12-04T10:12:11","guid":{"rendered":"http:\/\/www.castellodelcatajo.it\/?page_id=7339"},"modified":"2026-09-24T11:50:45","modified_gmt":"2026-09-24T09:50:45","slug":"jonathan-dennis-memorial-lecture","status":"publish","type":"page","link":"https:\/\/www.giornatedelcinemamuto.it\/jonathan-dennis-memorial-lecture\/","title":{"rendered":"JONATHAN DENNIS MEMORIAL LECTURE"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” equal_height=”yes” css=”.vc_custom_1481727298437{margin-top: -45px !important;background-color: #ffffff !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1500369461515{background-image: url(https:\/\/www.giornatedelcinemamuto.it\/wp-content\/uploads\/2016\/12\/JonathanDennis1-1.jpg?id=8848) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” offset=”vc_col-lg-6 vc_col-md-6 vc_col-xs-12″]

<\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1499443266669{padding-right: 10% !important;padding-left: 10% !important;background-color: #2c2f34 !important;}”][vc_column_text]Per ricordare Jonathan Dennis (1953-2002), che ha fondato e diretto il New Zealand Film Archive, le Giornate organizzano ogni anno una conferenza in suo nome, chiamando a parlare personalit\u00e0 il cui lavoro contribuisce allo studio e alla valorizzazione del cinema muto.<\/span>
\nJonathan Dennis era un archivista esemplare, un paladino della cultura del suo paese \u2013 la Nuova Zelanda \u2013 con una profonda consapevolezza del ruolo del popolo indigeno dei Maori, e soprattutto era una persona di eccezionali doti umane.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1481733360749{padding-top: 22px !important;}”][vc_column][vc_custom_heading text=”`{`:it`}`RELATORI`{`:en`}`RELATORS`{`:`}`” font_container=”tag:h3|font_size:25|text_align:center|color:%23000000″ use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row][vc_column css=”.vc_custom_1499964504936{background-color: #f7f8f8 !important;}”]
<\/span><\/div>
<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2026<\/h3>
\"\"
\nAllyson Nadia Field
\n<\/span><\/strong><\/span>Rediscovering Black Film, Rewriting Film History<\/span><\/div><\/div> <\/div><\/div>
<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2025<\/h3>
\"\"
\nJane Gaines
\n<\/span><\/strong><\/span>Imagine! Silent Era World Film History with Only Women<\/span><\/div><\/div> <\/div><\/div>
<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2024<\/h3>
\"\"
\nCraig Barron
\n<\/span><\/strong><\/span>Visual Effects Techniques in Silent Cinema
\n<\/span><\/div><\/div> <\/div><\/div>
<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2023<\/h3>
\"\"
\nMindy Johnson
\n<\/span><\/strong><\/span>The Only Woman Animator – Bessie Mae Kelley
\n& Women at the Dawn of an Industry
\n<\/span><\/div><\/div> <\/div><\/div>
<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2022<\/h3>
\"\"
\nStella Dagna
\n<\/span><\/strong><\/span>Etica del restauro: segreti e bugie?
\n<\/span><\/div><\/div> <\/div><\/div>
<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2019<\/h3>
\"\"
\nCamille Blot-Wellens
\n<\/span><\/strong>Notes on Film Identification:
\nA Tribute to Harold Brown<\/span><\/span>
\n<\/span><\/div><\/div> <\/div><\/div>
<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2018<\/h3>
\"\"
\nDonald Crafton
\n<\/span><\/strong>From stage to screen and back again:
\nreconstructing Winsor McCay\u2019s
\nGertie the Dinosaur, 1914<\/span><\/span>
\n<\/span><\/div><\/div> <\/div><\/div>
<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2017<\/h3>
\"\"<\/strong><\/span><\/p>\n

Russell Merritt
\n<\/span><\/strong>David Shepard
\nShadowing Silent Film for Fifty Years<\/span><\/span>
\n<\/span><\/div><\/div> <\/div><\/div>

<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2016<\/h3>
\"\"<\/strong><\/span><\/p>\n

James Curtis
\n<\/span><\/strong>William Cameron Menzies
\nand the Birth of Production Designer<\/span>
\n<\/span><\/div><\/div> <\/div><\/div>

<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2015<\/h3>
\"\"<\/strong><\/span><\/p>\n

Naum Kleiman
\n<\/strong>Cinema, A Public Affair,<\/em>\u00a0<\/strong>Tatiana Brandrup, DE 2015
\n<\/span><\/div><\/div> <\/div><\/div>

<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2014<\/h3>
\"\"<\/strong><\/span><\/p>\n

Ichir\u014d Kataoka, Benshi<\/strong>
\n<\/span><\/div><\/div> <\/div><\/div>

<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2012<\/h3>
\"\"<\/span><\/strong><\/span><\/p>\n

David Sproxton<\/span><\/strong><\/span><\/div><\/div> <\/div><\/div>

<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2011<\/h3>
\"\"\"\"<\/strong><\/span><\/span><\/p>\n

Serge Bromberg<\/strong> & Eric Lange
\n<\/strong>Lobster’s restoration of the colour version of\u00a0Georges M\u00e9li\u00e8s\u2019\u00a0Le Voyage dans la lune<\/em>
\n<\/span><\/span><\/div><\/div> <\/div><\/div>

<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2010<\/h3>
\"\"<\/span><\/strong><\/span><\/p>\n

Sir Jeremy Isaacs<\/span><\/strong><\/span><\/div><\/div> <\/div><\/div>

<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2009<\/h3>
\"\"<\/strong><\/span><\/p>\n

Edith Kramer
\n<\/strong>Film Programming: Where We’ve Been and
\nWhere We’re Going [Arguments with Myself]
\n<\/strong><\/span><\/div><\/div> <\/div><\/div>

<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2008<\/h3>
\"\"<\/strong><\/span><\/p>\n

Eileen Bowser
\n<\/strong>The Telephone Thriller;
\nor The Terrors of Modern Technology
\n<\/strong><\/span><\/div><\/div> <\/div><\/div>

<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2007<\/h3>
\"\"<\/strong><\/span><\/p>\n

John Canemaker
\n<\/strong>Winsor McCay, His Life and Art
\n<\/strong><\/span><\/div><\/div> <\/div><\/div>

<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2006<\/h3>
\"\"<\/p>\n

Michael Eaton
\n<\/span><\/strong>Time and Silence<\/span>
\n<\/span><\/strong><\/span><\/div><\/div> <\/div><\/div>

<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2005<\/h3>
\"\"<\/strong><\/span><\/p>\n

Donald Richie
\n<\/strong>My Years in the Dark, 1947-2005
\n<\/strong><\/span><\/div><\/div> <\/div><\/div>

<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2004<\/h3>
<\/p>\n

Peter Lord
\n<\/strong>Dinosaurs, Devils and Living Toys:
\nA Brief History of 3 Dimensional Animation
\n<\/strong><\/span><\/div><\/div> <\/div><\/div>

<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2003<\/h3>
\"\"<\/span><\/strong><\/span><\/p>\n

Richard Williams
\n<\/span><\/strong>Silent Cinema as the Animator’s Source<\/span>
\n<\/span><\/strong><\/span><\/div><\/div> <\/div><\/div>

<\/div>
<\/s><\/l><\/div>
<\/div> <\/div>
\n\t\t\t\t\t\t\t

2002<\/h3>
\"\"<\/span><\/strong><\/span><\/p>\n

Neil Brand
\n<\/span><\/strong>Where Does the Music Come From?<\/span>
\n<\/span><\/strong><\/span><\/div><\/div> <\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” equal_height=”yes” css=”.vc_custom_1481727298437{margin-top: -45px !important;background-color: #ffffff !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1500369461515{background-image: url(https:\/\/www.giornatedelcinemamuto.it\/wp-content\/uploads\/2016\/12\/JonathanDennis1-1.jpg?id=8848) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” offset=”vc_col-lg-6 vc_col-md-6 vc_col-xs-12″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1499443266669{padding-right: 10% !important;padding-left: 10% !important;background-color: #2c2f34 !important;}”][vc_column_text]Per ricordare Jonathan Dennis (1953-2002), che ha fondato e diretto il New Zealand Film Archive, le Giornate organizzano ogni anno una conferenza in suo nome, chiamando […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7339","page","type-page","status-publish","hentry"],"yoast_head":"\nLe Giornate del Cinema Muto | JONATHAN DENNIS MEMORIAL LECTURE<\/title>\n<meta name=\"description\" content=\"Le Giornate del Cinema Muto | JONATHAN DENNIS MEMORIAL LECTURE\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.giornatedelcinemamuto.it\/jonathan-dennis-memorial-lecture\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Giornate del Cinema Muto | JONATHAN DENNIS MEMORIAL LECTURE\" \/>\n<meta property=\"og:description\" content=\"Le Giornate del Cinema Muto | JONATHAN DENNIS MEMORIAL LECTURE\" 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