{"id":21162,"date":"2021-10-07T08:00:16","date_gmt":"2021-10-07T06:00:16","guid":{"rendered":"http:\/\/www.giornatedelcinemamuto.it\/?p=21162"},"modified":"2022-02-14T15:17:37","modified_gmt":"2022-02-14T14:17:37","slug":"alle-gcm40-arriva-lombra-di-un-trono-raro-film-di-carmine-gallone","status":"publish","type":"post","link":"https:\/\/www.giornatedelcinemamuto.it\/en\/alle-gcm40-arriva-lombra-di-un-trono-raro-film-di-carmine-gallone\/","title":{"rendered":"THE ELLEN RICHTER PROGRAMME CONTINUES WITH &#8220;MORAL&#8221;"},"content":{"rendered":"<p style=\"text-align: center;\"><span style=\"font-family: helvetica, arial, sans-serif;\"><\/span><span style=\"font-family: helvetica, arial, sans-serif;\"><strong>THE PORDENONE SILENT FILM FESTIVAL CONTINUES THE ELLEN RICHTER PROGRAMME WITH <em>MORAL, <\/em>A TALE EXPOSING LOCAL BIGOTRY.<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><strong><span style=\"font-family: helvetica, arial, sans-serif;\">EARLIER, A SCREENING OF CARMINE GALLONE\u2019S RARE <em>THE SHADOW OF A THRONE<\/em> WITH SOAVA GALLONE, DISCOVERED IN THE PRAGUE FILM ARCHIVE<\/span><\/strong><span style=\"font-family: helvetica, arial, sans-serif;\"><\/span><!--more--><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: helvetica, arial, sans-serif;\">Without a doubt Pordenone\u2019s <strong>40th edition of <\/strong><strong>the Giornate del Cinema Muto <\/strong>has introduced us to a great figure of German cinema from the 20s. <strong>Ellen Richter <\/strong>was an actress capable of easily switching from one genre to the next, gifted with a magnetic personality that would, figuratively speaking, pierce the screen with each performance. Showing <u>today at the Teatro Verdi<\/u>, <strong><em>Moral <\/em><\/strong>(1928) sees Richter in the starring role of a leader of a theatrical troupe who is banished from a small town after attempting to unleash a Berlin revue considered to be too saucy by the locals. Richter\u2019s Ninon d&#8217;Hauteville finds work as a piano teacher and the very same townsmen who shamed her are the ones lining up to take her music lessons. As revenge, Ninon secretly records their visits. A memorable sequence sees a client locked in a bathroom and attempting to destroy incriminating evidence by shredding the film and flushing it down piece by piece. Showing before <em>Moral <\/em>we have <strong><em>Die Sch\u00f6nsten Beine von Berlin <\/em><\/strong>(Saucy Suzanne), taking us into the world of revues which Richter and her husband Willi Wolff came from.<\/span><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif;\">The Giornate will be screening <strong><em>The Shadow of a Throne <\/em><\/strong>(1921), directed by <strong>Carmine Gallone<\/strong>, one of Italy\u2019s most notable and prolific filmmakers whose long career spanned from 1914 to 1962 and whose film looks forward to the festival\u2019s Ruritania programme next year. A fictional country situated between central Europe and the Balkans, Ruritania prompted a series of genres such as adventure, fable, romance, spy thriller and court drama in the first two decades of the twentieth century. Its birth was in many ways due to the success of popular literature and the public\u2019s fascination with Europe\u2019s royal families. Soava Gallone, the director\u2019s wife since 1911, is the star of <em>The Shadow of a Throne <\/em>and was Gallone\u2019s muse during the silent era.<\/span><br \/>\n<span style=\"font-family: helvetica, arial, sans-serif;\">Screening before the Gallone is a short film presented by the Cineteca del Friuli, <strong><em>Sign of the Black Lily <\/em><\/strong>(1913), an Italian detective story with an impressive foreign distribution.<\/span><br \/>\n<span style=\"font-family: helvetica, arial, sans-serif;\">As part of the <strong>Nasty Women <\/strong>programme, don\u2019t miss the feature <strong><em>Phil-For-Short<\/em><\/strong> (1919), screening at <u>2:30PM<\/u>. Directed by Oscar Apfel, it stars Evelyn Greeley as a rebellious tomboy who falls for a misogynist. The hilarious dialogue is penned by screenwriter <strong>Clara Beranger<\/strong>, whom we already met with the screenplay for <em>Miss Lulu Bett<\/em>. Also on Thursday is <strong><em>Le M\u00e9nage Dranem<\/em><\/strong> (1912), a short on the revolutionary theme of the feminism and its consequences: it records Monsieur Dranem while he cooks, cleans and sews \u201clike an elephant trying to pass a thread through a needle\u201d, while his militant spouse walks around in slacks, smokes a pipe, downs pints of beer, plays cards at the park and attacks her fearful husband.<\/span><br \/>\n<span style=\"font-family: helvetica, arial, sans-serif;\">Beginning at <u>5:30PM<\/u> the Korean programme presents two silent films from the sound era. First, a crime melodrama from 1948, <em>Geomsa-Wa Yeoseonsaeng <\/em>[A Public Prosecutor and a Teacher]. Korea in the aftermath of World War II saw its film industry on its knees and returning to the silent form as a way to save costs. Korea\u2019s last <em>byeonsa <\/em>narrates the film, the equivalent of the Japanese benshi narrators. The second film, <strong><em>Han Seongsimui Him <\/em><\/strong>[The Power of Sincerity] is a short from 1935 commissioned by the film department of the Japanese general governorship in Korea in an effort to urge citizens to pay taxes.<\/span><br \/>\n<span style=\"font-family: helvetica, arial, sans-serif;\">The two films forming part of the Nasty Women retrospective will also be available <strong>online<\/strong>, as always on MYmovies <u>from 9PM<\/u> (Italian time). For the book presentations, online at <u>5PM<\/u>, Elif Rongen-Kaynak\u00e7i from the EYE Filmmuseum of Amsterdam will present the DVD\/Blu-ray disc of <strong><em>Filibus: The Mysterious Air Pirate<\/em><\/strong>, a film that combines thriller, feminism and <em>steampunk. <\/em>Katharina Loew, author of <strong><em>Special Effects and German Silent Film, <\/em><\/strong>will speak on the influence that special effects had on German silent cinema.<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>THE PORDENONE SILENT FILM FESTIVAL CONTINUES THE ELLEN RICHTER PROGRAMME WITH MORAL, A TALE EXPOSING LOCAL BIGOTRY. EARLIER, A SCREENING OF CARMINE GALLONE\u2019S RARE THE SHADOW OF A THRONE WITH SOAVA GALLONE, DISCOVERED IN THE PRAGUE FILM ARCHIVE<\/p>\n","protected":false},"author":3,"featured_media":20514,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[],"class_list":["post-21162","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>THE ELLEN RICHTER PROGRAMME CONTINUES WITH &quot;MORAL&quot; | Le Giornate del Cinema Muto<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.giornatedelcinemamuto.it\/en\/alle-gcm40-arriva-lombra-di-un-trono-raro-film-di-carmine-gallone\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:it]ALLE GCM40 ARRIVA &quot;L\u2019OMBRA DI UN TRONO&quot;, RARO FILM DI CARMINE GALLONE[:en]THE ELLEN RICHTER PROGRAMME CONTINUES WITH &quot;MORAL&quot;[:] | Le Giornate del Cinema Muto\" \/>\n<meta property=\"og:description\" content=\"THE PORDENONE SILENT FILM FESTIVAL CONTINUES THE ELLEN RICHTER PROGRAMME WITH MORAL, A TALE EXPOSING LOCAL BIGOTRY. 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