{"id":26274,"date":"2026-09-14T08:42:47","date_gmt":"2026-09-14T06:42:47","guid":{"rendered":"https:\/\/www.giornatedelcinemamuto.it\/?page_id=26274"},"modified":"2026-09-14T15:24:19","modified_gmt":"2026-09-14T13:24:19","slug":"larte-dei-costumi-costume-design-and-silent-cinema","status":"publish","type":"page","link":"https:\/\/www.giornatedelcinemamuto.it\/en\/larte-dei-costumi-costume-design-and-silent-cinema\/","title":{"rendered":"COSTUME DESIGN AND SILENT CINEMA"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” equal_height=”yes” css=”.vc_custom_1481727298437{margin-top: -45px !important;background-color: #ffffff !important;}”][vc_column css_animation=”none” width=”1\/2″ css=”.vc_custom_1789391660869{background-image: url(https:\/\/www.giornatedelcinemamuto.it\/wp-content\/uploads\/2026\/09\/UCLA.jpg) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” offset=”vc_col-xl-inherit vc_col-lg-6 vc_col-md-6 vc_col-sm-inherit vc_col-xs-12″]

<\/div>[\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1499443266669{padding-right: 10% !important;padding-left: 10% !important;background-color: #2c2f34 !important;}”][vc_column_text]COSTUME DESIGN AND SILENT CINEMA<\/span><\/strong><\/span>
\nUCLA David C. Copley Center Lecture<\/span><\/strong><\/span><\/p>\n

2022 saw the launch of an annual lecture series devoted to costume design in silent film conceived by Deborah Nadoolman Landis, noted costume designer, historian, and Director of the David C. Copley Center for Costume Design at UCLA\u2019s School of Theater, Film and Television. The series explores one of the least-studied aspects of silent cinema and reclaims the fundamental role the art of costume design played in cinematic storytelling before the advent of sound. <\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1481733360749{padding-top: 22px !important;}”][vc_column][vc_custom_heading text=”`{`:it`}`RELATORI`{`:en`}`RELATORS`{`:`}`” font_container=”tag:h3|font_size:25|text_align:center|color:%23000000″ use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row][vc_column css=”.vc_custom_1499964504936{background-color: #f7f8f8 !important;}”]

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2025<\/h3>
\"\"
\nMaggie Hennefeld
\nLaura Horak
\nElif Rongen-Kaynak\u00e7\u0131
\n<\/span><\/strong><\/span>Dressed for Chaos: Costumes, Nasty Women and Social Change
\n<\/span><\/div><\/div> <\/div><\/div>
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2024<\/h3>
\"\"
\nPriska Morrissey
\n<\/span><\/strong><\/span>\u201cFrom Tutu to Chain Mail\u201d: The Organization and Use of Early Cinema Costume in France
\n<\/span><\/div><\/div> <\/div><\/div>
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2023<\/h3>
\"\"
\nBeth Werling
\n<\/span><\/strong><\/span>Mary Pickford in 26 Costumes and 5 Golden Curls
\n<\/span><\/div><\/div> <\/div><\/div>
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2022<\/h3>
\"\"
\nMichelle Tolini Finamore
\n<\/span><\/strong><\/span>Dressing Norma: Fashion in Early Cinema
\n<\/span><\/div><\/div> <\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle” equal_height=”yes” css=”.vc_custom_1481727298437{margin-top: -45px !important;background-color: #ffffff !important;}”][vc_column css_animation=”none” width=”1\/2″ css=”.vc_custom_1789391660869{background-image: url(https:\/\/www.giornatedelcinemamuto.it\/wp-content\/uploads\/2026\/09\/UCLA.jpg) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” offset=”vc_col-xl-inherit vc_col-lg-6 vc_col-md-6 vc_col-sm-inherit vc_col-xs-12″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1499443266669{padding-right: 10% !important;padding-left: 10% !important;background-color: #2c2f34 !important;}”][vc_column_text]COSTUME DESIGN AND SILENT CINEMA UCLA David C. Copley Center Lecture 2022 saw the launch of an annual lecture series devoted to costume […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-26274","page","type-page","status-publish","hentry"],"yoast_head":"\nL\u2019ARTE DEI COSTUMI \/ COSTUME DESIGN AND SILENT CINEMA<\/title>\n<meta name=\"description\" content=\"L\u2019ARTE DEI COSTUMI \/ COSTUME DESIGN AND SILENT CINEMAUCLA David C. 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